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Original Article by Xichuan Published in Southern Weekly

SHANGHAI, China – Renowned poet and critic Xichuan has sparked a new wave of discussion on the works of the great Tang Dynasty poet Du Fu, calling him the master of lyrical poetry and highlighting his proficiency in Luoyang dialect as a key factor in his poetic mastery.

In an article published in the Southern Weekly, Xichuan delves into the reasons behind Du Fu’s unparalleled skill in writing regulated verse, commonly known as lyrical poetry in English. The article, titled Why is Du Fu the Master of Lyrical Poetry? He Could Speak Luoyang Dialect! was published just nine hours ago and has already garnered significant attention and debate among literary enthusiasts and scholars.

Du Fu, often referred to as the Poet Historian, is one of the most celebrated poets in Chinese literature, known for his profound social commentary and poignant reflections on the human condition. His mastery of the regulated verse form, characterized by a strict structure and rhyme scheme, has set a benchmark for poets throughout the ages.

Xichuan argues that Du Fu’s ability to speak the Luoyang dialect was instrumental in his development as a poet. Luoyang was the capital of the Eastern Zhou Dynasty and remained a cultural and political center during the Tang Dynasty. The dialect spoken there had a rich literary tradition, and Du Fu’s proficiency in it allowed him to infuse his poetry with a unique rhythm and melody that resonated with his audience, Xichuan writes.

The Luoyang dialect, with its melodic intonation and rhythmic cadence, provided Du Fu with a natural advantage in crafting poems that were not only visually appealing but also auditorily engaging. This linguistic richness, according to Xichuan, was a crucial element in Du Fu’s ability to capture the essence of human emotions and societal issues in his verses.

The article also discusses the broader implications of language in poetry, highlighting that a poet’s mastery of their native tongue can significantly influence their literary output. Language is not just a tool for communication; it is a carrier of culture and emotion. Du Fu’s command of the Luoyang dialect allowed him to express complex ideas and feelings with a depth and clarity that might not have been possible otherwise, Xichuan explains.

The piece has sparked conversations about the role of regional dialects in literature, with many readers expressing their agreement with Xichuan’s perspective. One reader commented, Du Fu’s poetry has always felt so alive and vibrant. It’s fascinating to think that his proficiency in the Luoyang dialect played such a pivotal role in his writing.

However, the article has also drawn some criticism, with some scholars arguing that while Du Fu’s dialect may have influenced his style, it was his profound understanding of human nature and societal issues that truly set him apart. Du Fu’s genius lies in his ability to transcend language and connect with readers across time and space, one critic noted.

Despite the differing opinions, Xichuan’s article has succeeded in reigniting interest in Du Fu’s works and the intricate relationship between language, culture, and poetry. As readers continue to explore and debate the nuances of Du Fu’s lyrical genius, one thing remains clear: his legacy as a master of Chinese poetry is as enduring as it is influential.

For more information on this topic, please visit Southern Weekly.


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