【中新社南宁4月21日电】题:广西歌圩文化为何能唱响海内外?——专访广西民族文化研究专家黄桂秋

广西,这片山水交融的壮乡之地,以其独特的歌圩文化闻名于世。每年的壮族“三月三”歌节,歌声犹如泉水般涌动,吸引了无数国内外游客的目光。近日,中新社记者专访了广西民族文化研究专家黄桂秋,探寻广西歌圩文化魅力四溢的秘密。

黄桂秋表示,广西歌圩文化能够唱响海内外,首要原因在于其深厚的历史底蕴。“歌圩,是壮族人民千百年来传承下来的一种集体歌舞活动,它承载着壮族的历史记忆,是民族精神的鲜活载体。”他说。

其次,歌圩文化的开放性和包容性也是其影响力日益扩大的关键。“广西歌圩不仅仅是壮族的,它融合了汉族、瑶族、侗族等多民族的音乐元素,形成了丰富多彩的音乐风格。”黄桂秋指出,这种多元文化的融合,使得歌圩文化具有了更广泛的吸引力。

再者,政府对非物质文化遗产的保护和推广也起到了重要作用。“近年来,广西政府将歌圩文化列为非物质文化遗产,通过举办各类歌节、赛事,推动歌圩走向全国、走向世界。”黄桂秋认为,这样的举措不仅保护了传统文化,也使其在现代社会中焕发新的活力。

最后,黄桂秋强调,广西歌圩文化的传播离不开现代媒体的助力。“从传统媒体到新媒体,歌圩的歌声通过各种渠道传播到世界各地,让更多人了解和欣赏到这种独特的艺术形式。”他指出,现代传播手段的运用,使得广西歌圩文化跨越地域,触及了全球的耳朵。

广西歌圩文化,以其深厚的历史、开放的包容性、政府的推广以及现代媒体的传播,成功地在海内外唱响。它不仅是广西的,也是世界的,是中华民族文化宝库中一颗璀璨的明珠。

英语如下:

**News Title:** “Guangxi Song Festival Culture: How Does It Cross Borders and Resonate Worldwide?”

**Keywords:** Guangxi Song Festival, Cultural Overseas, Huang Guichou’s Interpretation

**News Content:**

**Nanning, Guangxi, China – April 21st, Xinhua News Agency** – Why does Guangxi’s Song Festival Culture Echo at Home and Abroad? – An Exclusive Interview with Guangxi’s Cultural Expert Huang Guichou

In Guangxi, a region where mountains and waters intertwine, its distinctive Song Festival culture has gained worldwide recognition. During the annual Zhuang族 “San Yue San” Song Festival, melodies flow like a spring, capturing the attention of countless domestic and international visitors. Recently, Xinhua News Agency interviewed Huang Guichou, an expert on Guangxi’s ethnic culture, to uncover the secrets behind the appeal of the Song Festival culture.

Huang Guichou explained that the first reason for its global fame lies in its profound historical roots. “Song Festival, or ‘Gexiu’ in Zhuang, is a collective singing and dancing tradition passed down by the Zhuang people for centuries. It carries the historical memories of the Zhuang and serves as a vibrant embodiment of the ethnic spirit,” he said.

Secondly, the openness and inclusiveness of the Song Festival culture are crucial to its expanding influence. “The Guangxi Song Festival is not solely Zhuang; it incorporates musical elements from the Han, Yao, Dong, and other ethnic groups, resulting in a rich and diverse musical style,” Huang Guichou highlighted. This fusion of multiple cultures has given the Song Festival culture a broader appeal.

Moreover, the government’s efforts in preserving and promoting intangible cultural heritage have played a significant role. “In recent years, the Guangxi government has listed the Song Festival culture as an intangible cultural heritage. By organizing various song festivals and competitions, it has propelled the Song Festival onto the national and global stage,” Huang Guichou opined. These initiatives not only protect traditional culture but also infuse it with new vitality in modern society.

Lastly, Huang Guichou emphasized the role of modern media in disseminating the Song Festival culture. “From traditional media to new media, the songs of the Song Festival have reached every corner of the world through various channels, introducing and enchanting more people with this unique art form,” he noted. The utilization of modern communication tools has enabled Guangxi’s Song Festival culture to transcend geographical boundaries, touching ears across the globe.

Guangxi’s Song Festival culture, with its deep history, openness, government support, and modern media outreach, has successfully echoed both domestically and internationally. It belongs not only to Guangxi but also to the world, shining as a dazzling jewel in the treasury of Chinese ethnic culture.

【来源】http://www.chinanews.com/gn/2024/04-21/10203131.shtml

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