##停播一年后,笑果艺人们都“分”给了谁?

**笑果文化旗下艺人停播一年后,去向引发关注**

2022年7月,笑果文化旗下脱口秀节目《吐槽大会》因内容问题引发争议,随后被停播。一年后,这些曾经活跃在舞台上的笑果艺人们都去了哪里?他们的去向引发了外界关注。

据36氪报道,停播一年后,笑果艺人们呈现出“分流”趋势,主要集中在以下几个方向:

**1. 回归传统舞台表演:** 部分艺人选择回归传统舞台表演,例如李诞、王建国等,他们开始活跃于线下演出,参与一些喜剧类综艺节目,以及进行个人脱口秀巡演。

**2. 尝试新领域:** 一些艺人尝试了新的领域,例如杨笠、呼兰等,他们开始涉足短视频、直播等新兴平台,并尝试创作不同类型的作品。

**3. 继续深耕脱口秀:** 也有部分艺人选择继续深耕脱口秀,例如庞博、程璐等,他们参与了其他脱口秀节目的录制,并积极进行线下脱口秀演出,等待机会回归主流舞台。

**4. 离开笑果:** 一些艺人选择离开笑果,例如卡姆等,他们开始独立发展,尝试新的事业方向。

**笑果文化面临挑战,未来发展尚不明朗**

笑果文化在经历停播风波后,面临着巨大的挑战。一方面,艺人们的去向和发展方向尚未明朗,另一方面,笑果文化需要重新思考内容创作和艺人管理的模式,以应对日益严格的监管环境。

目前,笑果文化尚未公布未来发展规划,但可以预见的是,他们将面临更大的压力,需要付出更多努力才能重回巅峰。

**专家观点:**

业内专家认为,笑果文化需要反思停播事件,认真学习相关法律法规,加强内容审核,并积极寻求与监管部门的沟通,才能获得重新发展的机会。同时,笑果文化需要更加注重艺人的培养和管理,为他们提供更多发展机会,才能留住人才,保持竞争力。

**结语:**

笑果文化停播事件给整个脱口秀行业敲响了警钟,也为内容创作和艺人管理提出了新的挑战。未来,笑果文化能否重回巅峰,艺人们能否找到新的发展方向,还需要时间来验证。

英语如下:

##Where Did the “Xiaoguo” Comedians Go After a Year ofSuspension?

**”Xiaoguo” Culture’s Comedians’ Whereabouts Draw Attention After a Year of Suspension**

In July 2022, “Xiaoguo” Culture’s talk show “TucaoDahui” (Roast!) was suspended due to content controversies. A year later, where have these comedians, once active on stage, gone? Their whereabouts havesparked external attention.

According to 36Kr, after a year of suspension, “Xiaoguo” comedians have shown a trend of “diversification,” mainly focusing on the following directions:

**1. Returning to TraditionalStage Performances:** Some comedians have chosen to return to traditional stage performances, such as Li Dan and Wang Jian Guo. They have become active in offline performances, participating in comedy variety shows, and conducting personal stand-up comedy tours.

**2. Trying New Fields:** Some comedians have tried new fields, such as Yang Li and Hulan. They have begun to venture into emerging platforms like short videos and live streaming, and are experimenting with different types of content creation.

**3. Continuing to Deepen in Stand-up Comedy:** Some comedians have chosento continue deepening their roots in stand-up comedy, such as Pang Bo and Cheng Lu. They have participated in the recording of other talk shows and actively engaged in offline stand-up comedy performances, waiting for the opportunity to return to the mainstream stage.

**4. Leaving “Xiaoguo”:** Some comedianshave chosen to leave “Xiaoguo,” such as Kam. They have started to develop independently, exploring new career paths.

**”Xiaoguo” Culture Faces Challenges, Future Development Remains Uncertain**

“Xiaoguo” Culture faces significant challenges after the suspension incident. On the one hand, the whereabouts anddevelopment directions of the comedians remain unclear. On the other hand, “Xiaoguo” Culture needs to rethink its content creation and artist management models to adapt to the increasingly stringent regulatory environment.

Currently, “Xiaoguo” Culture has not announced its future development plans. However, it is foreseeable that they will facegreater pressure and need to put in more effort to return to their peak.

**Expert Opinions:**

Industry experts believe that “Xiaoguo” Culture needs to reflect on the suspension incident, diligently study relevant laws and regulations, strengthen content review, and actively seek communication with regulatory authorities to gain the opportunity to redevelop. At the same time, “Xiaoguo” Culture needs to pay more attention to artist training and management, providing them with more development opportunities to retain talent and maintain competitiveness.

**Conclusion:**

The suspension of “Xiaoguo” Culture has sounded an alarm for the entire stand-up comedy industry and posednew challenges for content creation and artist management. Whether “Xiaoguo” Culture can return to its peak in the future and whether the comedians can find new development directions remains to be seen.

【来源】https://36kr.com/p/2915980377594505

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